Details of Tibetan Astrology 1: Philosophical Context and Horoscopes

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The Context of Astrology within the Buddhist Educational System

Astronomy and astrology are one of the sciences or traditional fields of knowledge (rig-gnas) studied in the Tibetan Buddhist curriculum as formulated at the great monastic universities of India. There are five major and five minor fields of knowledge. The major ones are: 

  • Art and craftsmanship – religious painting, statue-making out of bronze and clay, construction of powder and three-dimensional mandalas, applique and needle-point portrayals of Buddha-figures, mandalas and so on, and, in Tibet, butter sculpture 
  • Medicine – including pharmacology
  • Languages and grammar – primarily Sanskrit, following the classical texts of Panini, all of which were translated into Tibetan and included in the Tengyur
  • Logic – formal debate
  • Inner or exceptional self-knowledge – Buddhist philosophy, psychology, meditation and so on. 

The five minor subjects are:

  • Poetry – how to compose it so that one’s meaning is conveyed clearly, without irrelevancies or contradictions, in logical order, with proper connections, consistent references and in eloquent-sounding words and meter
  • Rhetoric and synonyms – the study of the flowery expressions for words used in Sanskrit, and translated into Tibetan, such as “water-born” for both lotus and moon, “twice-born” for bird, teeth and brahmins, and so on, all of which are used in elegant writing
  • Prosody and composition – the different meters used in Sanskrit
  • Drama and dance – the movements in religious dances with which one portrays the activities in a mandala or world system of a Buddha-figure, such as making offerings 
  • Astronomy, astrology and mathematics. 

Upon mastery of the five minor subjects, one is awarded the title “Pandit,” meaning Erudite Master, and after the five major ones, “Mahapandit,” or Great Erudite Master. In Tibetan, the title “Panchen,” as in Panchen Lama, is a half-translation half-transliteration of “mahapandit,” while the Buryat “Bandido,” as in Bandido Khambo Lama, transliterates “pandit.” Since much of the materials for the study of these topics, or at least their basic principles, derive from and are discussed in the Kalachakra Tantra, the Kalachakra Buddha-figure is always associated with and invoked for inspiration in their study.

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